Night Mail

This is the Night Mail crossing the border,
Bringing the cheque and the postal order,
Letters for the rich, letters for the poor,
The shop at the corner and the girl next door.
Pulling up Beattock, a steady climb:
The gradient’s against her, but she’s on time.
Past cotton-grass and moorland boulder
Shovelling white steam over her shoulder,
Snorting noisily as she passes
Silent miles of wind-bent grasses.

Birds turn their heads as she approaches,
Stare from the bushes at her blank-faced coaches.
Sheep-dogs cannot turn her course;
They slumber on with paws across.
In the farm she passes no one wakes,
But a jug in the bedroom gently shakes.

Dawn freshens, the climb is done.
Down towards Glasgow she descends
Towards the steam tugs yelping down the glade of cranes,
Towards the fields of apparatus, the furnaces
Set on the dark plain like gigantic chessmen.
All Scotland waits for her:
In the dark glens, beside the pale-green sea lochs
Men long for news.

Letters of thanks, letters from banks,
Letters of joy from the girl and the boy,
Receipted bills and invitations
To inspect new stock or visit relations,
And applications for situations
And timid lovers’ declarations
And gossip, gossip from all the nations,
News circumstantial, news financial,
Letters with holiday snaps to enlarge in,
Letters with faces scrawled in the margin,
Letters from uncles, cousins, and aunts,
Letters to Scotland from the South of France,
Letters of condolence to Highlands and Lowlands
Notes from overseas to Hebrides
Written on paper of every hue,
The pink, the violet, the white and the blue,
The chatty, the catty, the boring, adoring,
The cold and official and the heart’s outpouring,
Clever, stupid, short and long,
The typed and the printed and the spelt all wrong.

Thousands are still asleep
Dreaming of terrifying monsters,
Or of friendly tea beside the band at Cranston’s or Crawford’s:
Asleep in working Glasgow, asleep in well-set Edinburgh,
Asleep in granite Aberdeen,
They continue their dreams,
And shall wake soon and long for letters,
And none will hear the postman’s knock
Without a quickening of the heart,
For who can bear to feel himself forgotten?

– W. H. Auden

[vodpod id=Groupvideo.3895317&w=600&h=400&fv=%26rel%3D0%26border%3D0%26]

Night Mail is a 1936 documentary film about a London, Midland and Scottish Railway (LMS) mail train from London to Scotland, produced by the GPO Film Unit. A poem by English poet W. H. Auden was specially written for it, used in the closing few minutes, as was music by Benjamin Britten. (The two men also collaborated on a rail-documentary on the line from London to Portsmouth, The Way to the Sea, also in 1936.) The film was directed by Harry Watt and Basil Wright, and narrated by John Grierson and Stuart Legg. The Brazilian filmmaker Alberto Cavalcanti was the sound director. It starred Royal Scot 6115 Scots Guardsman.

As recited in the film, the poem’s rhythm imitates that of the train’s wheels as they clatter over the track sections, beginning slowly but picking up speed so that by the time the narration reaches the penultimate verse the narrator is speaking at a breathless pace. As the train slows toward its destination the final verse is taken at a more sedate pace.

Such is the iconic status of the film, that it was used as inspiration for a famous British Rail advertisement of the 1980s, known as the “concerto ad”.

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